The Philosophy of
Film
Robert Pippin and
James Conant
23-28 August, 2015
READING LIST
Monday
Session 1
- Bazin, Andre, What is Cinema?, “The Ontology of the Photographic Image”
- Bazin, Andre, What is Cinema?, “The Myth of Total Cinema”
- Cavell, Stanley, The World Viewed, pp. 3-37
Session 2
- Conant, James, “The Ontology of the Cinematographic Image"
- Perkins, V.F., “Where is the world? The horizon of events in movie fiction”
Session 3
- Conant, James, “The invisibility of directorial perfection”
- Rothman, William, The Murderous Gaze, “Psycho”(ch. 5)
- Wood, Robin, Hitchcock’s Films, “Psycho”
Tuesday
Session 5
- Braudy, Leo, The World in a Frame, “The Conventions of Connection”
- Cavell, Stanley, Pursuits of Happiness, pp. 27-29
Session 6
- Pippin, Robert, Fatalism in American Film Noir, Introduction
- Warshow, Robert, “The Gangster as Tragic Hero” *Recommended reading*
Session 7
- Pippin, Robert, Fatalism in American Film Noir, Chapter1
Wednesday
Session 9
- Bazin, Andre, “The Western, or the American Film par excellence”
- Warshow, Robert, “Movie Chronicle: The Westerner”
Session 10
- Pippin, Robert, Hollywood Westerns and American Myth, Chapter 1
Session 11
- Pippin, Robert, Hollywood Westerns and American Myth, Chapter 3
Thursday
Session 13
- Wood, Robin, Hitchcock’s Films, Introduction& “Vertigo” (ch. 4)
Session 14
- Rothman, William, “Scottie’s Dream”, from Vertigo, ed. Makkai
- Makkai, Katalin, “Vertigo and Being Seen”, from Vertigo, ed. Makkai
Session 15
- Friedlander, Eli, “Being-in-(techni)color”, from Vertigo, ed. Makkai
- Klevan, Andrew, “Vertigo and the Spectator ofFilm Analysis”, from Vertigo, ed. Makkai
Friday
Session 17
- Pippin, Robert, “Psychology Degree Zero”
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